Category Archives: WORDZ

What I Will by Suheir Hammad

I was intrigued by the words in Erykah Badu’s twitter profile, so I looked them up and found the following poem. I find the words inspiring on both a daily level – as a reminder not to be a victim of negativity, inner aggression and also on a wider level, to always, always say no to war.

What I Will
by Suheir Hammad

I will not
dance to your war
drum. I will
not lend my soul nor
my bones to your war
drum. I will
not dance to your
beating. I know that beat.
It is lifeless. I know
intimately that skin
you are hitting. It
was alive once
hunted stolen
stretched. I will
not dance to your drummed
up war. I will not pop
spin break for you. I
will not hate for you or
even hate you. I will
not kill for you. Especially
I will not die
for you. I will not mourn
the dead with murder nor
suicide. I will not side
with you nor dance to bombs
because everyone else is
dancing. Everyone can be
wrong. Life is a right not
collateral or casual. I
will not forget where
I come from. I
will craft my own drum. Gather my beloved
near and our chanting
will be dancing. Our
humming will be drumming. I
will not be played. I
will not lend my name
nor my rhythm to your
beat. I will dance
and resist and dance and
persist and dance. This heartbeat is louder than
death. Your war drum ain’t
louder than this breath.

“Do not fear what has blown up. If you must, fear the unexploded.”

Fragile

Breezy and I got into a debate about Spotify in Idle Hands record shop in Bristol. Our arguments included that Spotify (at least if you have a subscription), is not a bad thing, because a) a little bit of money goes to the artist and b) you ARE more inclined to buy what you hear on Spotify, or tickets to related gigs. c) It’s a great way to share music in general and let’s face it, good music should be shared. I guess another part of it comes down to modern living and/or laziness. As an ex-pat in a tiny studio, my life is strewn between two countries with my CD and record collection currently living in a dusty loft in Norwood. Spotify and other such software provide convenience, free up living space and mean I don’t have to attempt to lug my records over on the Eurostar.

THEN I saw the above video of Theo Parrish at RBMA and I was moved. It made me think again. It made me feel lazy. It made me feel like I was betraying the vinyl dedicated producers and DJs that I love so very much. It made me feel like I was missing out on something and most of all, it made me feel like I should make the effort to sort my record player and records out. Who needs thousands and thousands of digital files which will probably one day get lost when you can have a few beautiful records which although fragile will last a very, very long time and sound waay more beautiful? That’s essentially what Mr Parrish demands in this talk. It reminded also of differences between analogue and digital photography. You just can’t beat the latter, you just can’t beat the real.

Anyway, that’s just one of the issues that comes up in this talk. There’s also sampling, the use of filters when DJing as a way of turning a record into a kind of orchestra and geography. Watch it, it’s seriously inspiring.

Happy New Year all the world!!

Did you have a wonderful NYE? Mine was spent watching LDN’s fireworks from a roof in Crystal Palace with a group of graffiti writers and a handful of lovely friends. It looked a bit like this:
(Thanks Jennika for the pic!)

“This is OUR city! LONDON is OUR city!” declared the graffiti writers as Boris’ fireworks shot upwards into the sky. So fixated was I on the mushroom cloud formations, that I didn’t even think about the midnight kiss until Breezy shouted “Porj” a few minutes later and gave me a proper smacker on the lips.

It was a suitably special farewell to 2011, considering the abundance of good things it sent D.O.T.S’ way, including exhibitions, features, interviews and a nice slew of mix tapes ‘specially crafted for us.

More to come in 2012 (our 7th year!); keep in contact if you have love, goodness and inspiration to send our way and Drumzofthesouth will do it’s very best to spread it like Lurpak via largely ORIGINAL content on the blog, mixcloud and soundcloud pages.

According to Ashes57, this is my “Ready for 2012″ pose, as captured by Breezy:

I am strong woman

Grrrrrrrrrrr

Magnificent.

I spent the weekend photographing backstage at Pitchfork Festival, Paris, where amongst other things, I had the pleasure of catching Bon Iver warming up in their dressing room. I had my camera at that moment but didn’t take any photos, because it was something I wanted to enjoy directly. The mental image remains in my head – a smallish room, bathed in the habitual yellow tungsten hues, 8 or so guys, singing with smiles on their faces, and just, in the background, sitting down with a guitar, Justin Vernon, the lead singer (often equated with the title Bon Iver, despite the significant band that back him.).

I’m honestly not sure what they were singing, but it doesn’t matter, it was beautiful and really reminded me of some of the great acoustic jams (ALWAYS my favourite kind of live performance) I’ve had the pleasure of experiencing over the years.

The proceeding concert was immense and full and left little doubt in my mind as to the bands passion for sound and Justin Vernon’s passion for romance and geography and the audience’s passion for him with ” I LOVE YOU BON IVER,” and a marriage proposal being just some of the audience’s heckles.

I feel like a very lucky girl.

From my Tumblr…

Check Shoes Up Magazine

I have a 3 page article about Footwork  written in both English and French in this issue of Shoes Up, the theme of which is Tradition. Photos by Lisa Gilby and Dave Quam. Still waiting to get to Chicago to take my own!